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Browse through the entire collection of episodes of 2C magazine by opening the links on the right side of the page. You can read the zines in a comfy page-turning format in full screen. Each episode is also available in downloadable .pdf format as a product for you to read offline at any time. We spent a whole solar cycle on the 'Home: Where the Hearth is' theme, and now we're back to quarterly (aka 13 weekly) themes. The current theme is 'Portraits of the Self as Art: Fashion Form and Function'. Followed by 'Cultural Codes: Science Fiction, Fantasy and Future', 'Strawman to Sovereign: Lore, Land and Language', and 'From Here: Practical Pathways to Paradise'. Contact MHM if you have content you would like to contribute to 2C zine.

"To see all beings as self is to allow information to be free. You are another me."

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A Portrait of the Artist as Self: Fashion, Form and Expression.

Noo 2C Webisode: Season 4 Episode 1
Nicholas Roerich
James Joyce's famous novel, Portrait of the Artist as a Young Man, provides us with the prima materia for a noo-culture morph to our current episode of Second Creation magazine: Portrait of the Artist as Self: Fashion, Form and Expression. Perhaps one of history's best portraits of the Self as Art, is the great Russian visionary artist Nicholas Roerich (pictured), whose life work spans over 7,000 paintings and set designs, archeological findings that contribute to the understanding of the origins of man, and humanitarian undertakings that saw him receive nominations for a nobel peace prize. Like many great thinkers, Roerich believed that truth, beauty and love were humanity's foremost aspirations, expressing as such when he said:

The gates of the 'sacred source' must be opened wide for everybody and the light of art will ignite numerous hearts with a new love.

Roerich was also a followerbanner of peace of Agni Yoga, which prescribes active participation in life as the highest occupation of the self and humanity collectively. He was a teacher, administrator, adventurer, archeologist, writer, designer, and poet. His accomplishments have left the world a celebrated and enduring legacy, including the Roerich Peace Pact, symbolized by the universal banner of peace (pictured).

In this episode of 2C we'll be exploring some of the colorful and cultural selves who are waving the flag of Art high and providing inspiration for us all.  We're working with the idea that fashions, trends and art-forms are memes that carry larger truths about humans and the world we live in, as we explore skin art, fashion, gardening, dance, yoga, Nicholas Roerich and more. If you'd like to submit something on the theme please contact us. Stay tuned for the articles as we post them straight onto the magazine page of MHM, and stay tuned also for the soon to be released 'Home is where the Hearth is'.

Grow Your Own Home

Affordable Housing becomes Green with hemp

Entering the housing market is not only a challenge for first time buyers, but also for affordable housing, hemp building, industrial hemp, green architecture, environmentally friendly building, hempcreteconscious consumers wanting to take care of the environment without spending a fortune.

With now legal industrial hemp licenses available in many countries around the world, Growing Your Own Home has never been easier!

According to long-time industrial hemp expert Paul Benhaim, “just one acre of land is enough for you to grow a crop of hemp that can be converted to a regular looking building on that same piece of land”. He goes on to say “and we are not talking rustic homes, but regular looking solid council approved buildings”.

These new eco friendly buildings are built by regular builders, and don’t require specialist designs, though the developers recommend solar passive designs that take advantage of the thermal mass offered by the hemp walls.  As well as residential and commercial projects, simple renovations are possible.

Until now you had to import materials to be sure of a standard building product. Previous versions of similar technologies commonly known as ‘hemcrete’ or ‘hempcrete’ have also required processing of hemp in large factories. Hence this technology has not been fully sustainable, until now.

affordable housing, hemp building, industrial hemp, green architecture, environmentally friendly building, hempcrete

This new technology developed over 10 years by Klara Marosszeky allows simple harvesting of hemp that makes use of the whole stalk to create a building material that has excellent rodents, fire and insulation properties. Although an option, no rendering or finishing is required (you can colour through the mix) and all local materials can be used in what is becoming the leader in the latest trend in environmentally friendly building techniques.

Klara is currently hoping for a project to see some genuine and direct outcomes for the Indigenous people of Australia in regards to Affordable 'home grown' housing. South Africa and Trinidad have also showed interest in this technology.

Klara Marosszeky and Paul Benhaim are about to launch their findings in a new book on Building with Hemp which includes a detailed construction manual. To support professional builders, self-builders, renovators and eco enthusiasts Klara and Paul will personally share this technique at workshops around the world in 2011. A one-off special preview workshop will be launched in Byron Bay, Australia on September 4th 2010.

Website: http://www.TheHempBuilder.com

Further Information: Paul Benhaim 0407 767 709

 

Murrong Gunya (sand house)

by Dantares

 Sandon Point Sand HouseI have now finished my first sand bag dome...well almost. It was a great experience, however lonely, as I moved over 25 tonnes of sand by hand mixed it with cement and put it in the bags myself. I am excitedly happy with the result thus far. The dome was built at a significant Aboriginal heritage site on the beach at Sandon Point south of Sydney, Australia.
   
The History Pod 'Murrong Gunya' sand house.
 This project was initiated to effect positive and sustainable change in Aboriginal and community housing in Australia. Appropriate housing in remote and bushfire prone areas must be met with sustainable solutions such as earth-bag building. I built and donated this History Pod dome with respect to Australia's first peoples and the continuation of their Original Sovereignty.

 This dome is located very close to the beach at a swampy inlet. It is an Aboriginal heritage protection site, with an ongoing blockade against unsustainable greedy mansion development that continues to encroach on the fragile beachfront swamp. The ‘Kuradji' Aboriginal Tent Embassy is a demonstration of land rights and ancient heritage protection that has been acknowledged by the local and New South Wales governments. This building project is self-determined, requiring no permission or consultation with any authority other than the Traditional Owners.

 Earthbag building foundation

Building
In January 2010 I started by digging the grass and clearing a circle, then I dug a trench about a foot deep with a compass chain pegged in ground and cemented. This radius chain was well attached, as you don't want it to move during the building process. I put plastic sheet in the trench to help seal it from moisture. Then I began filling the bags in the trench with moist sand and cement.

    Dantares building sand house dome
I doubled the bag over to reduce the length that the material has to move through the bag tube. The 4m diameter circle required 14m of filled sand bag. The ring is tamped (ram packed) until it is so hard that you can't press it in with your finger. Barbed wire is then attached to the bag ring with a zigzag technique (twisting and skewing the barbs into the bag) ready for another layer directly on top.

Coiled earthbag buildingWith at least three sub ground layers, I made sure the ground and rings made a level foundation. The other chain in the compass system is cemented in at the location of the middle of the door, on the outside edge of the bag ring. This length equals the diameter (in this case 4.2m). To get the height of the proceeding layers you use this chain in combination with the radius chain coming from the centre. The position at which the diameter chain (which does not change) intersects with the radius chain (that is adjusted according to the height with a key ring). This gives the position of the circles as you build up and in.
    Buttress of earthbag sand house
The buttress door needs to be included by interlacing it in with the rings. This works best with a strong door frame form work structure, which I didn't have. I had to cut the sand bags with a saw to fit the door frame in. This works surprisingly well and in the future I would also cut areas for windows, but leave them in place until I was ready to add the glass.
    Sand house face with window eyes
I got a bit experimental with the windows (see image on right), but it all worked out well. Air vents and other additions such as forms, pipes, or another level requires planning so you can include them as you go.
    Building sand house with buckets
As the wall gets higher, it’s a good idea to place buckets along the wall before climbing up,  emptying the buckets, and positioning the bag correctly by checking with the chain.


   
With the door I made a frame with hardwood planks bolted together. As this was installed, I made adjustments to the sand bags with a saw so the frame fitted nicely. The door jams screwed onto the frame along with the door.

Sand house doorway

Internal view of sand house doorframeAbove the height of the door, the sand bag rings really start to come in tighter. This can be a bit tricky - as I found out when I lost several metres rolling off into the middle. It was like wrestling a giant snake trying to pull a tonne of sand back into position! I ended up having to empty the sand out and do it again. From now on I would get the balance right between twisting and positioning the bag making sure the position of the ring stayed correct by tamping every metre or so as I went. I also started tamping with a hard wood bat at this height because the big metal tamper got a bit heavy and rough (impacted) on the balancing wall.


Looking up to roof of sand houseIt definitely gets more difficult to keep the circles round as they get smaller. There is a fine  balance between twisting and creasing the tube.
   
I started rendering on the outside before I closed off the top of the dome. This was to make it easier to get the plaster up the top. I mostly used cement plaster 3:1 (3 sand 1 cement). I did try a plaster which was 8 parts sand 1 part lime and .5 parts cement, mixed with salty sea water. This seemed okay but didn't always go as hard or stable as cement. Hopefully it holds up to the extreme sea side elements.
   
I added more ventilation pipes at the top in an arrangement that tilted the final layer of bag slightly toward the north. I then cemented in the round coffee table top glass to close it off. It made a great skylight. I have yet to do the plastering on the inside and the floor (probably a cement slab). I will also be doing another coat of render on the outside, after first seeing what happens with the render I have done. If all is well and any cracking is soughed out I will start waterproofing the top, firstly by painting on cement and oxides. If this doesn't work I will use a UV treated latex type membrane which is quite expensive. I will need to fundraise for this.
   
Sand house renderedThe opening of the History Pod at Sandon point is planned for the 17th December 2010 celebrating the tenth anniversary of the Aboriginal tent embassy and the continued blockade of the coastal developers.
   
Contact Daniel Jones email : dantares13ATgmail.com

Mobile phone (Australia) : 0406 025 683 or 0429 682 069
   

Feature Artists: Pooktre

Interview with Becky & Pook by Even Dawn

When we decided to do a single webisode, for 2C this planetary orbit the theme ‘Home: Where the Hearth Is’ became a mega offering. Many moons ago Mattriks sent the link to pooktre.com because the photos on that page were so cool. I had a good look around the site and decided to contact the couple Peter and Becky, whose creative works are called Pooktre after jewelry-maker Peter's nickname ‘Pook’. A pooktre is an art form consisting of a living tree which is shaped into artistic designs as it gradually grows, some can then be turned into furniture pieces and jewelry. Since the process and result of Pook and Becky's delightful art works so closely with Nature and creates pieces which can be used as functional furniture in the Home, it felt like a nice idea to include an interview with them as the feature artists of this webisode of 2C.
Pooktres Welcome Graphic
Welcome to the Home: Where the Hearth Is webisode! Thanks for agreeing to be interviewed as our latest feature artists. The photographs of your family literally hanging out in your artful garden offer an enchanting glimpse into the magic of tree-shaping. Do you spend a lot of time in the garden?

Our garden is just outside our door, so yes we spend a lot of time in our garden. Surprisingly, winter is one of our busiest times, designing and setting up the supporting framework is done before the trees are even planted and winter is the best time.

What kinds of trees are suited to being turned into a Pooktre and how long can it take for an average sized piece to be grown?

We mainly grow Prunus Cerasifera subtype Myrobalan though we are trialling a few other species. Theoretically all trees can be trained. An understanding of habits and growth patterns within each tree species and caltivar, is necessary to achieve an even and balanced design.  As for time, it depends on the size of the design, some designs could be grown in one season other designs may take 15 or 20 years to grow to completion.
Becky wearing Neckpiece
When you are designing your works, are there some shapes you know will work better than others? What sorts of inspiration do you source when developing the designs?

Some of the most amazing shapes that can be seen are living in our forest growing wild. We are inspired by the life that is around us. We (Becky and Pook) design both independently and cooperatively with each other but we  always design in cooperation with the tree. Tree shapers are just starting to discover the potential of working with nature, it is very important to remain fresh and open to the expanding possibilities around us.

Once pooktre have been grown to shape do they need ongoing maintenance to retain their form, or will they just keep getting larger?

Once the initial shaping has been grown and the tree is strong enough to support itself in normal weather, for the most part we just treat the trees like any other. In winter we may give them a bit of pruning, but that's about it.

Have you noticed whether any extra fairies or nature diva's are attracted to your garden?

The leprechaun won't allow them in.

Laughing - If you created the grandest work you can imagine, what would it be like?

A shaped forest integrated into a city, fully incorporating trees as living infrastructure using crystalline structures for gathering light for inhabitants.  So from above it appears to be tall crystals growing up though the forest canopy.

You previously mentioned that you would like to do a follow up article on how to make pooktre in the next episode, so I will leave questions on the technical details for later on. Where did you get the idea to grow your own artwork?
Pook in Pooktre garden chair
One day in 1987 when Pook was walking home from his secluded wild fig tree forest, this thought occurred to him "I wonder if I can grow a chair?" he started the next day with 7 willow cuttings. Over time things didn't work out as expected. Becky moved to Pook's place in 1995 and they spent many late nights by the fire side talking about shaping trees. By the spring of 1996 three new designs where starting to grow and Pooktre was born. In 1999 though the internet we discovered others where also shaping trees, each tree shaper employs different methods some more successful than others.

It's easy to imagine you guys could be a carbon neutral company! Is it possible for people to purchase or commission pooktre from you?

Laughing - I would say you are right. Anyone within Australia would be able to purchase one of our living trees as well as the harvested ones. The harvested ones can be sent anywhere in the world though we only have 6 available at the moment. For sending the living trees overseas customs would need to be checked for each country.  We also go to people's gardens and do the designing and set up for the trees and then teach how to grow the trees. As this can be a fairly long term project we can only do five of these a year.

Can the pooktre bear edible fruits or nuts?

Yes, one of our designs for a garden table is going to have a dwarf nectarine tree grafted above the design trunk. we already have the dwarf nectarine tree growing and it’s fruit is lovely.

What direction are you taking your future works in and what are your other artistic interests?

We have quite a few projects on the go at the moment, we have more ideas than we have time. This field is new and exciting with ever expanding horizons.

Thanks very much Peter and Becky, your creations are cause for an amazing amount of wonder in our world. Keep up the good work!

Thank you.

Living space for everybody

An introduction to the Tenant Syndicate
by Gabi Bohnet
Photo of Northern Rivers Landscape
The idea
I am living in northern NSW, in the hills near Mullumbimby and keen establish an affordable group housing project. I am personally interested in an ‘urban living space’ – within one of the local townships in the Byron Bay, Murwillumbah to Lismore region. Living in a walkable, cyclable environment where everything – schools, work, community garden, local shops, and cultural activities are close by seems to make perfect sense to me, especially for reducing the carbon footprint. I like to explore the possibilities to purchase Council land for affordable housing projects as cited in the ‘Affordable Housing Strategy’ of the Byron Shire Council, however I would also be supportive of rural initiatives.

My back ground is in architecture, town planning and sustainable design. I have looked at many communities and housing projects for inspiration. “Why re-invent the wheel?” if we can tap into an existing, functional organisation that is successful and offers support, not only politically, but also practically, legally and financially.


The Tenant Syndicate
The Tenant Syndicate was born in the late 1980’s in Germany. Despite increasing economic wealth, or just because of it, there is a growing gap between rich and poor, increasing lack of access to living space. All over the world people long for a secure place to live – beyond the fear of loosing their homes, being pushed out by rising rental prices or property sales.

The overall idea of the Tenant Syndicate is to acquire property – land and buildings, to remove permanently from the speculation market, keeping these places available as affordable rental living space forever. The Tenant Syndicate was formed to be the platform and network to support the wider political struggle for affordable self–managed living spaces with an open and growing number of individual housing projects. In August 2009 the syndicate decided to support projects globally if there is the request for it. What a wonderful opportunity!
 
Many of us, here in Australia and in other countries, wish to collectively purchase land and dwellings and live in a self-organised, self-determined way. Each group has different ideas on how they wish to live together, however they all share the need for secure and lasting property tenure. This is the fundamental link between the projects, and the goal the Tenant Syndicate set in its statutes from 1992:  “To support and politically push for the development of new self-organised house projects: Humane living space, a roof over the head, for everyone.”
Photo of roof
How does it work?
On one hand we have autonomous house projects or groups of people who wish to live together. They might know a property or dwelling already, yet they lack the finances and legal expertise to get set up.
On the other hand there is the Tenant Syndicate that has established a legal framework to support and tie the individual projects together. The syndicate is not an umbrella organisation but a member of every house project with each project set up as a legally autonomous “limited liability company” (ltd).

Together with the Syndicate, the future tenants of a House project establish a limited liability company which then buys the property. The tenants pay rent to the company, but are simultaneously responsible for all aspects of running the company, financing the purchase, and administering the building. In this way, affordable living space is preserved, and the building protected from exploitation by real-estate speculators.
The ‘limited liability company’ was chosen for the legal set-up of the Tenant Syndicate as it lends itself to protect the syndicate’s main goal: Keeping affordable rental property perpetually available. Each House project Ltd. is made up of 2 directors: one is the director chosen by House association (all tenants) and the other is chosen by the Tenant Syndicate association. Both directors have exactly one vote. The Syndicate only has a say in fundamental questions, such as the sale of the house, a conversion into condominiums, or changes in the partnership agreement and the sale of shares in the company (no unfriendly take-over by financial investors). Tenants cannot unanimously decide to sell their property for profit. Here, the house association has exactly one vote, but the control organization, too, has exactly one vote. Therefore, in these fundamental questions, a change in the status quo can only be made with the consent of both organisations.
Neither the house association nor the control organisation can be outvoted.
In other matters however, the Syndicate has no input, e.g. the running of the House projects.
Photo of buildings and rainbow
The House association carries the sole responsibility for the daily management: Who moves in? How are loans obtained? What modifications are going to be carried out on the house? How high is the rent?
These are things that belong entirely to the self-organised responsibilities of the tenants. The Syndicate has no say in these matters.

In its role as “control organisation,” the Tenant Syndicate is a partner in every individual House Ltd, simultaneously linking together all the House Ltds and maintaining the solidarity network. This set up is indeed solid and enduring, since a limited liability company cannot be dissolved unilaterally by one partner.

Project financing and Solidarity transfer
It seems to be a common thread that the desire to form a house project is combined with poor financial standing of its members.
In regard to the required financial means, the initial capital the various project could raise was of symbolic character at best.
For the purchase of real estate, the house association has to borrow hundreds of thousands of Euros / Dollars. About sixty percent of the purchase price can be borrowed as a loan from the bank. Forty percent however has to be available as equity capital, but often it isn’t. This is in Europe.
Here in Australia we will have to come up with much less, if anything. If this is a good thing is doubtful as in this case the bank loan and interest payments will be much higher.

Establishing a new House Ltd. in Europe requires a nominal capital of 25 000 Euros. The house association’s share is 12 600 Euros and that of the control organization, the Syndicate, is 12 400 Euros, however the size of the capital contingent has no impact on the voting rights.

Membership fee is 250 Euros or more. People become members because they want to support the aims of the Syndicate. This is a one off joining fee with no on-going fees. Each House Ltd is a member as well. The membership fee is like a credit which can be cancelled within the agreed period of notice and returned to the lender, however it is interest free. At the end of 2007 the Syndicate had 270 members and credits of approximately 200 000 Euros. The Syndicate always needs more members in order to be able to take on and financially contribute to new House projects.

Closing the gap between the 25 000 Euros and the 40% equity capital needed, is generally done by means of so-called direct loans: These are loans that come directly from people who find the project worthy of support and who deposit their savings there, without the participation of the bank.  For this a contract is agreed upon between the lender and the House Ltd. It specifies the amount of credit (above 500 Euros), the interest rate, which is agreed upon – from 0 to 3 % and the timeframe and the period of notice.
Acquiring these loans is not an easy task. However this has been very successfully organised in all existing 33 house projects.
“….better 1000 friends at your back than one bank at your neck….”

Most projects will require loans of banks as well, and these continually cost money, namely, interest charges, which often amount to more than three-quarters of the rental income. If the rents are supposed to be socially acceptable, the leeway is extremely small. This means that the project can only be financed if the interest rates are low. The initial phase, in which the interest charges are the highest, is like a financial high-wire act for every House project.

However with an overall large number of House projects, they are not all simultaneously in the difficult initial phase. A comparison of the early and late phases led to the idea of creating equalization between the different situations of the various House projects in form of a solidarity fund.
The established projects can transfer their surpluses to help new project initiatives – using their economic leeway ethically instead of for themselves, e.g. for renovations or rent reductions. Through the gradual amortization of their loans, established projects face a considerably lower interest burden than new projects.

Such equalization between house projects with different situations does not come about by itself, it must be organised.  Above all, a stable relationship and good communication has to be established between the projects to make the transfer of resources possible. This is mainly done through the structure of the Tenant Syndicate. All members of all House projects make up the Syndicate Association. The solidarity fund is looked after by the Tenant Syndicate. In order to keep it growing every tenant of a new House project pays 10 Euro cents per square metre rental space additionally to their agreed rent into the solidarity fund. This contribution increases up to 25 cents as the mortgages become smaller. The solidarity fund makes it possible the Tenant Syndicate to do publicity work, give political, legal and even financial support to new potential House associations.
photo of Gabi Bohnet
This amazing and quite revolutionary idea has been successfully implemented thirty three tangible projects, with another 25 in the process- that’s in Germany alone. They are also developing in Austria, France and Spain, and hopefully one in Australia soon....

Please contact me if you are interested and would like to know more.
Also does anyone have the legal knowledge and would be willing to assist setting up a ‘limited liability company’?

Gabi Bohnet  gabi.bohnet@gmail.com  ph 66840209